Sunday, September 30, 2012

Goodvibe's modified CMOY amplifier from eBay

[Note: I haven't calibrated my MOTU's line-level input yet, so there is no comprehensive analysis involved here]


When Goodvibes at Head-Fi.org, sent me a repaired Grado GR10, he also set me up with his modified CMOY amplifier from eBay. Couple of things pointed out by NwAvGuy have been carried out by Goodvibes, and the result is quite promising.


Measured @ 0.5V rms

First, the gain has been increased from 1 to a factor of 3 by changing R1 to 47k, and R2 to 22k, which is about 10 dB boost. 20 x log( 1 + [ 47k / 22k ] ) = 9.9 dB

Second, C3 & C4's capacitance have been increased to whooping 10 milifarads. NVM, he just added 10 uF tantalum caps in parallel. The emphasis here; The bigger decoupling capacitors are, the better the electric stability.

Third, R3 has been reduced, in order to tame the DC offset even further to 0.1mV @ the unity gain. And the resulting -3dB corner frequency at the input is ~ 3 Hz. 1 / (2 x π x 22k x 2.2uF) = 3.3 Hz


Output impedance characteristic

It is a nice & simple portable amplifier, suitable for the purpose, with no colouration and good details. I don't think you can ask for more at this price. The revise plan set by NwAvGuy, executed by Goodvibes, has been briefly analyzed by udauda.

Thursday, September 27, 2012

Evaluating the accuracy of my new simulator [UPDATED]

[Updated on 09/27/2012: Updated with a brand-new Phonak PFE 112's frequency response plot, super-imposed with data from the manufacturer and Tyll. My calibration effort with the new simulator is finally complete here]

[Updated on 09/23/2012: Added a time-domain comparison with data measured with B&K 4128C dummyhead due to much confusion arose with AKG K3003's waterfall plots.]


Frequency response comparison:

I've previously discussed the acoustic input impedance deviation of my dummy head's ear canals. They were under my tolerance limit, but I had to break open EURI in order to get a direct access to the occluded ear simulators. That is why I got an IEM-measurement only IEC 60318-4 simulator, and measured K3003 with it.  As suggested by Inks, I successfully insulated all the acoustic leak with a hot glue, and the result seems quite promising.


NO PRE/POST EQUALIZATION APPLIED

Compared to Tyll's IEC 60711 simulator (HA HMS II.3) using Grado GR10:
Green/Red plots are mine 

IEC 60711 and IEC 60318-4 are pretty much identical in terms of acoustic input impedance, so there is nothing special to comment on. You may ask, "why do you use Tyll's data when you don't even like Innerfidelity?" Hey, I just do not approve Head Acoustics' compensation figure, and it does not mean I hate Tyll and his works at IF. I respect a visionary, and he's a visionary, who first made the measurement data available to the public while running Headroom.

Compared to Etymotic Research's ASA/ANSI S3.25 simulator (Knowles DB-100) using ER-4P
Green/Red plots are mine

As expected, a Zwislocki coupler demonstrates less ear canal resonance @ 3~4 kHz. Not quite sure why I am getting a sub-bass response deviation in contrast to the Zwislocki data. There is absolutely no leak AFAIK. All of these should have something to do with either Zwislocki's smaller centre volume, or Knowles' manufacturing deviation criticized by Per V. Brüel, the founder of B&K.

Compared to Tyll's IEC 60711 simulator (magenta) and Phonak's IEC 60711 simulator (gray):

black plot is mine

Again, my data and Tyll's data are almost identical, but Phonak's has a slight level increment in the sub-bass frequency range. Same type of bass boost has been previously observed with Etymotic Research's official measurements as well, so I am afraid this is a manufacturer-manipulated equalization, in order to make their products look good on a paper. (Or could it be possible that Phonak is actually using a Zwislocki coupler? Possibly so, due to the particular ear canal resonance characteristic shown above. A Zwislocki coupler has less ear canal resonance.)


Waterfall comparision:

B&K 4128C data:
 EURI's data:
The plots pretty much speak for themselves, and EURI's time-domain characteristics are up to industrial grade. It is also important to note that the charts on the right are analyzed with the reference parameters used for my general analysis data. (On REW, plots are normalized to 90 dB @ 1 kHz, 25 dB top-down range) Compared to the balanced-armature driven ER-4P, dynamic earphones, such as CX500 and K3003(woofer unit only), have a lot more residual sub-bass decay.

Wednesday, September 12, 2012

QSC Audio ABX Comparator


Introduction

As Wilden A. Munson came up with the idea of a simultaneous acoustic signal comparison to figure out the well-known equal-loudness phenomenon in 1949, two members of the Southeastern Michigan Woofer and Tweeter Marching Society (SMWTMS), Arny Krueger and Bern Muller, did the very first hi-fidelity audio comparison in 1977. And in 1982, David Clark officially debuts this ABX paradigm to the Journal of Audio Engineering Society.

In 2012, we have a Foobar2000-based software ABX comparator at out disposal, but has this hardware-based ABX comparator ever been widely available to the general public? Why can't we just purchase these anymore? Today's Hi-fi audio industry does not make this kind of product anymore, due to the cold fact that these comparators reveal too much transparency among audio devices; In other words, upon a direct 1:1 comparison, it always turns out most of audio devices sound very similar, if not the same, to one another. Consequently, audio companies lose their spots when the comparators become widely available to the public. There is absolutely no point for them in investing wealth when there is nothing to be gained.

The ABX company, founded by six members of the SMWTMS, produced various comparator models from 1980 to 1987, and QSC Audio rolled out the hi-fidelity version in 1998 like a blitzkrieg, with only 300 units produced. It is also worth to note that a few DIY attempts, such as Rod Elliot's and Matrix HiFi, have been made as well over the years.


Since QSC Audio's comparator was said to essentially meet the strict criteria set by the recommendation ITU-R BS.1116-1, I've been trying to get hands on it for quite a while. And after 3 years of anticipation, I finally had a chance to acquire the legendary hi-fidelity product, made by QSC Audio in 1998. What a break-through!



Then how does the unit fare in regards to technical accuracy? What's the spec? Two main factors are of a concern:

1. To execute a hi-fidelity audio comparison, the switching delay must be near-instantaneous.
2. To execute a portable audio comparison, the comparator must not change the impedance of DUT. In other words, a closed-circuit impedance of the comparator should be close to zero.


1. Switching delay

On 'Note 1' of '4.2 Grading Phase' of the recommendation ITU-R BS.1116-1, it is stated that the switching delay must not exceed 40 ms for the subjective assessment of small impairments in audio systems. In order to figure out the exact amount of delay, or the quality of the relay used, I quickly ran a sine wave sample through the unit, and recorded the switching delay:


The delay is around 24 ~ 25 ms, which is extremely close to near-instantaneous switching.


2. Closed-circuit impedance

Its rated specifications are as following:
Small-signal section (line-level): mechanically balanced DPDT relay switching; Input impedance: 200 kilohms balanced; 100 kilohms unbalanced.
Heavy-duty section (speaker-level or line-level): mechanically balanced DPDT relay switching

Frequency response: 20 Hz–20 kHz 
THD+N (20 Hz–20 kHz): +0, -0.1 dB


And according to Thanh Nguyen, the service development engineer at QSC Audio,
" All relay contacts are ideally 0 ohm so it would not change or alter DUT (device under test)’s impedance.  Note that no electronic device was used in between INs and OUTs."
So I ran an impedance check, and voila, Mr. Nguyen was correct. Even if I connect a portable device, I could only obtain the source device & cable impedance within 20 - 20,000 Hz range.


The end and a new beginning

Although the comparator was successfully obtained, I realized the fact that I live in the country where a snake oil hoax becomes something equivalent to that of a Viagra, and a tax evader becomes a GOP presidential candidate.  On the other hand, my comrade, Salsal, is living in South Korea where subjectivism and objectivism still clash to each other. I believe he is a visionary who possesses a drive to make a difference in the audiophile community, of which industry-biased commercial reviews are prevalent. So the unit has been sent to Salsal once and for all. Have fun, Salsal! (It seems he already dissected the whole thing)

Saturday, September 8, 2012

Grado GR10 part2: General analysis [UPDATED]

Big thanks goes to Goodvibes, who kindly refurbished the defective GR10 for us. This analysis is due to the collective effort gathered from many users, and I truly appreciate their support. You guys rock!

[UPDATED on 09/08/2012] Acoustic leak issue has been resolved.


According to Yashima Electronics Inc., the manufacturer of GR10's transducer units, compared to conventional bi-pole balanced armature drivers, which are manufactured mainly by Knowles and Sonion, their single-pole balanced armature drivers are more efficient in converting electric signal into sound due to its piston-like simplistic design similar to that of a dynamic transducer, while still maintaining  linearity under the ear canal impedance due to its high acoustic output impedance(low compliance). Most of all, single-pole drivers are cheaper to mass-produce!

At the end of the article, Yashima deliberately compare a dynamic type(black graph) to their single-pole balanced armature type(red graph) to show off their superior technology.



However, the dynamic one seems to be performing much more accurately in accordance with the human HRTF than the single-pole driver does- I guess Yashima really doesn't care about the HRTF compensation after all.


PRO: As expected, this pair performs much more linearly than the previous one. The harmonic distortion is just far lower. Filters are interchangeable. Light-weighted. Fortunately, GR10's driver performs much closer to the human HRTF than what Yashima Electronics claim.

CON: Again, the high frequency extension is still lacking. Due to a silly manufacturing error, the polarity of both channels has been inverted. Since this was not of an issue with the previous pair, it must be a simple soldering mistake done by the manufacturer, and either Grado or Yashima Electronics must be blamed.


ON SECOND THOUGHT #1: By connecting a 100-ohm resistor in series to the IEM, the trasducer gets underdamped as shown on the right, and the output follows its own input impedance. (+12.5 dB @ 20 kHz) Consequently, as the high frequency extends, the sound becomes brighter and peaky. The high frequency can be boosted up to 17 dB @ 20 kHz with a resistor value of 480 Ω. Moreover, due to the mechanical resonance @ 2.4 kHz, the sound pressure level around that region will also be boosted.


ON SECOND THOUGHT #2: Plots on the right demonstrate the frequency response deviation caused by various insertion depths. The less inserted, the more mid-frequency peak it will get.









Friday, September 7, 2012

The effect of ear sleeves: Yet another comprehensive comparison with Brainwavz B2



As I mentioned before, this is the result of yet another collective effort, and a lot of ear sleeves borrowed from various users have been used here. A credit goes to Inks, Joker, Anaxilus, and JupiterKnight! Once again, I really appreciate for providing such a generous opportunity, especially Anaxilus, who patiently waited for me to finish off the analysis completely for nearly three months. (If I were him, I would've sued udauda already LMAO) THANK YOU, Mike!

Brainwavz B2 equipped with various thin calibered sleeves:
  
Silicone sleeves



Foam sleeves





Brainwavz B2 & Monster ear sleeve adapter equipped with various thick calibered sleeves:

Silicone sleeves



Foam sleeves

Brainwavz B2 [UPDATED]


Inks, this is an IEM over-load! LMAO

For the last, but not for the least, Brainwavz B2, which is a rebranded Fischer audio DBA-02 (mkI), is the final IEM sent by Inks. (And I believe it is owned by Anaxilus. Thanks a lot, Mike!) Please keep in mind that below data have been obtained with stock silicone sleeves, donated by Finn, aka Jupiterknight.


[ADDED ON 09/07/12]
With my newly acquired occluded simulator, I quickly re-analyzed B2 again. There's some level discrepancy in the frequency range above 10 kHz, but it was to be expected after all. I wish I could borrow DBA-02 mkII once again, to update the data.


PRO: Well-extended frequency response, though not as far as the DBA-02 mkII. The treble driver is still tuned to be little too bright. It's good both channels are well-matched.

CON: Distortion-wise, worse than the DBA-02 mkII. Inverted polarity issue is still there too.

ON SECOND THOUGHT #1: If I am not experiencing a Déjà vu here, Brainwavz B2 is definitely a Fischer audio's OEM product. Even the frequency response is virtually same, yet users tell a completely different story: DBA-02 mkII being warmer, slightly less treble and a bit more bass. Well, I doubt people in such mass are all experiencing a placebo effect at the same time, so this "perceived deviation" will be my next topic to be discussed

ON SECOND THOUGHT #2: B2 can definitely benefit from a very deep insertion, up to the reference plane. It will even out the peak @ 10 kHz, while extending the high frequency bandwidth over 20 kHz. This is very nice.

Of course, inserting this IEM up to the 2nd bend of the external ear canal using stock sleeves will be very challenging. This issue will be discussed in an upcoming topic as well.




ON SECOND THOUGHT #3: Unfortunately, I was not able to take out 1000Ω brown dampers, which were already inserted into the B2's stem. However, there was some residual space of which I could simply snuck my Knowles dampers into, and later slide them out. 

As a matter of fact, adding dampers simply attenuates the high frequency range gradually, and do not necessarily tame the peak @ 10 kHz as I initially expected. 



ON SECOND THOUGHT #4: Simply by adding a resistor in series, B2 becomes a lot more balanced. The maximum resistance value that can fully underdamp B2 will be around 480 Ω, considering the unusual impedance hump @ 1.6 kHz caused by the cross-over network. As long as you do not overkill the mid-frequency with too much value, this underdamping scheme is highly recommendable.

Tuesday, September 4, 2012

AKG K3003 part3: In-depth analysis


Introduction

AKG K3003 is such an innovated product. The manufacturer, AKG, put a lot of engineering effort in fine-tuning this IEM. As mentioned before, this IEM has so much room -  for better or for worse - for an user oriented acoustic tweaking. However, unless a careful attention is given to the tweak itself to accurately estimate what the effect would be, the effort might end up with negative consequences.

This in-depth analysis will demonstrate the consequences resulting from such tweaks, and hopefully provide some helpful insights to the general public. Below are main topics, and respective topics will be discussed separately.

First, The effect of various insertion depths using different ear sleeves

Second, the effect of under-damping, using a serial resistor adapter.

Third, the effect of acoustic dampers

Fourth, the effect of a pressure equalization port


Various insertion depths with different ear sleeves

It seems the manufacturer was well aware of K3003's bulkiness, and it is virtually impossible for the users to insert this giant into their ear canals. So AKG designed the product in such way that the frequency response measured at a shallow insertion depth to be the reference. The picture on the left is K3003 inserted in a proprietary external ear canal adapter, with the other end of the adapter is at which the reference plane of an occluded ear simulator is located. As seen on the picture, the insertion does not go any deeper due to its enormousness in size. The distance from the tip of the IEM to the reference plane is approximately 3 mm, and that should be about where this IEM would end up at in a real ear canal in practice, regardless of the sleeve size.

And what's seen on the right is the left and right channel responses averaged, with different ear sleeves attached. The sleeves differ in size to a great degree, and consequently, they end up with different insertion depths. The smallest one is inserted the deepest, and vice versa.









Damping AKG K3003 electrically

Impressively, although K3003 is a multi-driver IEM, its impedance characteristic is quite linear with increasing impedance as the frequency rises. This tendency is also shown on Etymotic Research's ER-4 series, of which the manufacturer increased the high frequency output by simply adding a resistor to a Knowles ED-9689. The same electric damping principle can also be applied to K3003, and it will further extend the high frequency bandwidth.

With a simple frequency-dependent attenuation calculation borrowed from the Audioholics.com,

According to the formula, a resistor bigger than 48 Ω will not do much for AKG K3003, since it is the value at which the output becomes fully velocity-driven. Anyway, the result can be estimated to be around 4 dB increase in output at 10 kHz, and 5 dB at 20 kHz, with the DC remaining a zero relative level as a reference.  And in practice, with the amplifier output impedance added, the result is shown below:


Damping K3003 acoustically

AKG K3003 comes with three different acoustic filters, which have various acoustic impedances. The black filter is 3000 Ω, the gray filter is 1500 Ω, and finally, the white one has only a protective steel mesh.


And the relative effect of each dampers are shown on the right. With the gray being a reference, Left and right channels are averaged together to further improve accuracy of the data.

Please keep in mind the data are for reference only. DO NOT EVER USE K3003 with the filters REMOVED unless you exactly know what you're trying to do.







A vent-slit pressure equalization 

Again, here is the another proof AKG meticulously thought out the overall design of K3003. Not only this port effectively avoids the over-pressurization in the ear canal, which causes an excursion issue of a dynamic transducer suggested by Ambrose, it also prevents the low frequency response to be overly slow & bassy. This port is actually an attenuator.






When this port is blocked, the ear canal becomes over-pressurized, resulting in even more bass, up to 6 dB @ 20 Hz. As seen previously, K3003 is quite bass-heavy even to begin with. Unless the user is an hardcore bass-head, this is not a very desirable tweak, considering the ultimate goal of an audio reproduction is hi-fidelity.





In conclusion

Everything has been covered in regards to AKG K3003's technical potentiality, and it shall be up to the individual users to determine what kind of tweaks would suit them the best. For my personal preference, an under-damped with the reference filters yields the most linear performance.

AKG K3003 is a great IEM, and there's so much fun to delve into. One of my blog readers commented on the part 1 of this series:
 "But... Can it beat the Etymotic ER-4?
Well, the answer to his/her question really depends on what you're looking for from your IEM. If you're looking for a frequency response linearity in accordance to the diffuse-field reference, NO. Actually, no IEM can beat ER-4 in that league. However, for everything else, including high frequency extension, tweakability, and distortion figure, definitely YES.


Appendix

Inks mentioned the discrepancy of my data with other websites. In order to explain the issue, and to advocate my good friend, ソノベ-san's honor in data accuracy, I super-imposed my data, forcibly inserted up to the reference plane, to ソノベ-san's data.



As you can see, I tried to match the resonant frequencies as close as possible. I suspect the deviation here is caused by the acoustic output impedance mismatch between a 2-cc coupler and an occluded ear simulator, as shown below. Is ソノベ-san's 2-cc data accurate? YOU BET! There is a reason why he is my all-time mentor. (my own self-claimed, that is. LOL)
plots acquired from B&K and ACO Japan, respectively

Monday, September 3, 2012

AKG K3003 part2: General analysis [UPDATED]

As pointed out by Inks, there was acoustic leakage on my new occluded ear simulator, which I bought for  an IEM measurement only. Now the issue has been fully resolved with my good ol' glue gun, I measured K3003 all over again. With the leak successfully blocked, the sub-bass level not only increased, but also the distortion in that range has been greatly reduced. NOW THAT WAS CLOSE.. *phew* Thanx again, Inks!



PRO: Very low harmonic distortion figure, even with 3-drivers linked up in parallel. It is the lowest I've seen from an IEM with a balanced-armature transducer implemented. AKG fine-tuned this IEM quite impressively. The channel matching is excellent, too.

CON: It is such a pain to insert this bulky IEM into a small ear canal; It is actually bigger in size than Ultimate Ears Triple.Fi 10 Pro! With the reference gray filters equipped, there is a lot of emphasis in the bass region, which makes the bass kind of slow and fun at the same time, in my humble opinion. The dynamic driver decays slower than the balanced-armature! And lastly, are you sure its high frequency goes up to 30 kHz, AKG?

ON SECOND THOUGHT #1: This IEM changes its frequency response by a great degree, as the insertion depth changes. Interestingly, the insertion depth AKG intended to achieve is ~3mm away from the reference plane of the occluded ear simulator. This frequency response variation caused by different insertion depths will be discussed in the upcoming part 3.

ON SECOND THOUGHT #2: First, as the frequency goes up the impedance rises. Second, bundled acoustic dampers come with different acoustic resistance. Third, there is a slit ventilation port. These factors grant such a technical potentiality to AKG K3003. In other words, an user-oriented fine tonal equalization is possible once an intellectual treatment is given appropriately. This will be discussed in the upcoming part 3 as well.


Continued to Part 3.